Hugo Aujourd'hui

Anna Magdalena Notebook: II. Musette In D Major, BWV Anh. 126

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几年前，第一次看到这芭蕾时，感觉就像是 走进了巴赫的小小 的花园。花蕾，小草，松鼠，小鸟。。。不尽欢乐，尽在园中。

尤其是前面那个视频，也许是拍摄者无意中 得到的那种朦胧， 视觉形象却是恰到好处，与巴赫的音乐形象吻合得天衣无缝。。。

乐曲是巴赫的Anna Magdalena Notebook中的作品之一。本作品126号，共有四小段，四个主题。。。

当时，曾为这四个主题起了名字，各涂了几 句小诗，思絮枯 竭，公务繁忙，只写到一半。现在，正在找那草稿，找当时的那份感动，不知找得到不。。。

谢谢大家

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这1次，是由芝加哥，联想到Robert Redford，从而引出’新发现、新印象。

Utah/US Film Festival

Sundance began in Salt Lake City in August 1978, as the Utah/US Film Festival in an effort to attract more filmmakers to Utah.[3] It was founded by Sterling Van Wagenen (then head of Wildwood, Robert Redford's company), John Earle, and Cirina Hampton Catania (both serving on the Utah Film Commission at the time). The 1978 festival featured films such as Deliverance, A Streetcar Named Desire, Midnight Cowboy, Mean Streets, and The Sweet Smell of Success.[4] With chairman Robert Redford, and the help of Utah Governor Scott M. Matheson, the goal of the festival was to showcase strictly American-made films, highlight the potential of independent film, and to increase visibility for filmmaking in Utah. At the time, the main focus of the event was to conduct a competition for independent American films, present a series of retrospective films and filmmaker panel discussions, and to celebrate the Frank Capra Award. The festival also highlighted the work of regional filmmakers who worked outside the Hollywood system.

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《Sting | 骗中骗》(1973 film)，讲的也是芝加哥盗贼的故事。

看了以后，使阿拉对芝加哥额印象更糟糕 了，。。。

Robert Redford把盗贼的形象演得活灵活现，使观众忍俊不已，拍案叫绝。

回想起，2010年，初访芝加哥，同 IBM做个HPC高科 技项目，。。。，。。。，

那是阿拉第1次漫步芝加 哥，。。。，。。。对芝加哥的印 象，。。。，。。。

芝加哥的气候，。。。

芝加哥的饮食文化，。。。

芝加哥的人文环境，很美 国，。。。，。。。

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